Top Netflix: 2019 END

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Top Netflix: 2019 END

The streaming service has boosted its game when it comes to original movies, as it fills the gaps that allowed studios to form in theatrical space. The best Netflix movies are

1. “Rome”
Some have argued that if Netflix did not apply for a 135-minute Spanish film, Alfonso Cuarón, in black and white, Mexican, and Spanish, then some other companies had, but the truth is, “Rome” can only exist at this moment, When Netflix is ​​ready to gamble on this type of movie that will not return to the studios (given that over the past quarter-century, only ten films in foreign languages ​​have made over $ 15 million in American cinemas – the estimated budget for “Roma”, less than “Participating media” was asking distributors to promote, according to Ho Up to 15 minutes of footage and a whole lot of faith.) Granted, the late Cuarón who hugged his housekeeper who raised it on high-definition digital cameras rich in detail and screaming for the big screen experience was appreciated. Is it a shame that the film gets a smaller theatrical show? Sure, but the difference is that people who live in cities where this movie will never be shown the ability to see the winner of the Venice Film Festival award on the day of its release, as evidenced by the Christmas Day conversation with cousins ​​who live in Hesperia rural, California.

2. “Sunday sickness”
Speaking of great films in Spanish, one of the best kept secrets on Netflix this year was the brilliant and perfectly calibrated Ramon Salazar study of a self-made community that was forced to spend 10 days with his adult daughter whose presence was comfortably cleaned up the fear of jeopardizing his aristocratic position Newly discovered. Netflix’s transactions around the world (as many markets require the company to devote a percentage of its services to local content) have forced it to take a proactive role in co-production of interesting projects, and this has achieved a greater boost in the Spanish market. Like “I Love”, this festival’s treasure takes a delicate but subtle approach to family melodrama, and reveals new aspects of an ancient dynamic.

3. “Extermination”
Technically, Alex Garland’s second stunning feature – a more ambitious follow-up to the so-called “Ex Machina” telling the star of Natalie Portman and a female team representative – was released by Paramount in the U.S., although the studio got feet Cool about a movie (considered too cerebral for regular science fiction fans) and sold international distribution rights to Netflix. At the time, I took this news as a scandal, given that the fans overseas wouldn’t have a chance to see Marvel Zone X on the big screen. However, it seemed that “extermination” was better in terms of distance, since there was an opportunity to build.

4. “The Story of Buster Conflict”
Many of us were confused when the Quinn brothers were first reported out of the wall as a TV series, but the end result proved to be more alluring – an eccentric chosen movie that usually has six parts where a star-studded “chapter” can stand alone, or be Watch as one feature. This is one of the nicest Netflix, as evidenced by the interactive “Black Mirror: Bandersnatch” interactive viewing experience: Without passive audiences, MPAA ratings, and theater uptime limits, artists are free to innovate. In “Buster Scruggs”, every bit twinkles, but Zoe Kazan’s vignette as a woman sailing in Oregon is a real gem.

5. “Come Sunday”
You can say something different from this year’s Netflix List from January, when the company unveiled a handful of original projects at the Sundance Film Festival, starting with Tamara Jenkins ‘”private life” (which has reached quite a number of critics’ end lists) ) David Wayne “Stupid and Stupid Gesture” (Disappointing) for Gloria Allred’s “Vision Allred” and multi-part document series “Wild, Wild Country.” The “This American Life” story is about the preacher of Pentecost – an Oscar-worthy performance by Choitel Ejevor – who was expelled after questioning the Church’s idea of ​​Hell. The result was a smart and sensitive movie directed directly at the religious crowd, which is tired of Hollywood pagan ways.

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